Hardcover, 387 pages
English language
Published Aug. 14, 1991 by Harper Paperbacks.
Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.
Gran llibre! És un clàssic que m'havien recomanat molt i que ha complert les expectatives.
Primero la historia
El personaje es un físico, lo que ya me predispone bien
Sin embargo, mi profesión es común en las novelas de ciencia ficción, y me pregunto cuánto habrá tenido eso que ver con elegirla.
Sin embargo, el personaje de LeGuin es un físico muy real. Hay algo extremadamente familiar en la constante introspección, el aislamiento que se siente aunque no se sufre, y la necesidad de poner todo lo demás a un costado para aprender algo acerca del funcionamiento del universo.
No me había sentido tan identificado con un personaje desde... bueno, desde el Severian de Gene Wolfe que me dió un nick para las redes.
La manera de narrar, con una aproximación desde dos tiempos, el presente de Shevek en Urras y su vida anterior en Anarris, en capítulos alternados, funciona muy bien.
Vamos aprendiendo de Shevek y de Anarris a medida que él va aprendiendo …
Primero la historia
El personaje es un físico, lo que ya me predispone bien
Sin embargo, mi profesión es común en las novelas de ciencia ficción, y me pregunto cuánto habrá tenido eso que ver con elegirla.
Sin embargo, el personaje de LeGuin es un físico muy real. Hay algo extremadamente familiar en la constante introspección, el aislamiento que se siente aunque no se sufre, y la necesidad de poner todo lo demás a un costado para aprender algo acerca del funcionamiento del universo.
No me había sentido tan identificado con un personaje desde... bueno, desde el Severian de Gene Wolfe que me dió un nick para las redes.
La manera de narrar, con una aproximación desde dos tiempos, el presente de Shevek en Urras y su vida anterior en Anarris, en capítulos alternados, funciona muy bien.
Vamos aprendiendo de Shevek y de Anarris a medida que él va aprendiendo sobre la sociedad capitalista de Urras.
Lo conocemos a él mientras él nos conoce a nosotros.
Me parece muy buena estructura.
Leímos "Los desposeídos" en las ediciones 19 a 22 de nuestro Club de #LecturaMastodontica
mastodon.la/@SeverianX/105929916780916472 mastodon.la/@SeverianX/105969567767581383 mastodon.la/@SeverianX/106009205603057007 mastodon.la/@SeverianX/106048862564271434 mastodon.la/@SeverianX/106088459256548717
Lo increíble que escribe esta mujer... Qué gigantesco ejercicio de imaginación, de luz, de humanidad. Me ha parecido precioso y real. Se ve perfectamente toda la complejidad que no se narra pero que la autora ha imaginado y considerado, y toda la voluntad de perseguir un mundo mejor.
Content warning Spoliers
I love Ursula but this has been my least liked book of hers so I'm giving 4 stars instead of 5. I enjoyed the heavy intellectual ideas. I enjoyed the romance. I was utterly destroyed that she made this main character who I had thoroughly liked, out of nowhere sexually assault a woman because he experiences alcohol for the first time in his life. The way it's written is really fucking blaming the woman victim character while our main character dude just gets to brush it off and go on with his life as the hero and doesn't even think about this incident for even one goddamn second for the rest of the book. I know Ursula took some serious thoughts about feminism later in life and made some apologies and changes in her writing with the Earthsea series which I thought was wonderful. I really wish she had taken the time to go back and edit or at least write an apology about this. It fucking sucks. The rest of the story is great. This one scene should be deleted. It's fucking horrible. And no it's totally not believable that creating an anarchist communist society would suddenly erase rape and that rape is just an invention of capitalism and greed. Yea no. I can't bite down on that idea at all. The other heavy ideas make sense but only up to a point and then it's just like trying to say capitalism causes humans to rape. Like no fuck you. Rapists are psychopaths. They are the same as murderers. They are born with it in their brain. They cannot feel empathy. They are predators. Society can't make them do it or not do it. They exist in every society through all time. They can't be fixed either. And a man who is absolutely loving to his true love, his little daughters will not just suddenly sexually assault a woman because he got exposed to capitalism and alcohol and "went crazy." Fucking bullshit rape apology sexist bullshit. And then feel absolutely no remorse about it? Cmon!!
It's a fascinating work of speculative fiction that explores the ideas around systems of self-governance (or lack thereof), written by a brilliant thinker and writer. Some of the passages in this novel are so achingly beautiful they could turn even a salty borderline-nihilist into an idealist - even if only for a few very pretty moments.
The cover blurb for The Dispossessed makes it sound like a thrilling exciting narrative, filled with tension and action:
Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.
But that's not what it is, and it's certainly not Le Guin's focus. This is clear in the way she avoids what might be the more dramatic elements of the story, or distances us from them in how they are portrayed. The story is bookended by two examples of that. The opening …
The cover blurb for The Dispossessed makes it sound like a thrilling exciting narrative, filled with tension and action:
Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life—Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change.
But that's not what it is, and it's certainly not Le Guin's focus. This is clear in the way she avoids what might be the more dramatic elements of the story, or distances us from them in how they are portrayed. The story is bookended by two examples of that. The opening sees Shevek - although we don't know it's him at this stage - leaving his homeworld and causing quite a bit of upset, seen from the viewpoint of a minor character who never reappears. And the book ends abruptly with no certainty of an outcome.
The capitalist society on the planet Urras that Shevek travels to felt too much like 1950s America rather than some far flung society thousands of years in the future. Other elements of the novel such as Shevek's unfortunate sexual dalliance, the possibility of defecting from the capitalist society to a nearby communist society, and getting caught up in a riot really don't amount to much and the plot as a whole is quite thin.
What I did like about the book was Le Guin's vivid portrayal of a functioning anarchist society on Shevek's homeworld Anarres. And Shevek himself was a likeable character.
The book is more concerned with the question of whether a truly anarchist society can survive, given the generally acquisitive nature of humanity, and during the story there is an indication that even this utopia will fall foul of the general tendency for all systems of government to move towards a hierarchy of control. Shevek struggles against this tendency: "We’ve been saying, more and more often, you must work with the others, you must accept the rule of the majority. But any rule is tyranny. The duty of the individual is to accept no rule, to be the initiator of his own acts, to be responsible. Only if he does so will the society live, and change, and adapt, and survive."
We never know if Shevek achieves what the cover blurb says. There's not much indication that the capitalist society will change because of him, though the anarchist society may survive if they take the example of his life to heart. But with no certainty about how the story ends, all we are left with is a political thought experiment.
Le Guin was put the light on the despicable society whom is ours by describing through the eyes of an anarchist.
L'autrice met la lumière sur la méprisable société qui est la notre en décrivant à travers les yeux d'un anarchiste.
Good:
Speculative fiction at its finest.
Great society & world building, shown through a lens of a single life.
Two timelines nicely intertwine & support each other.
The scenes of hardship & revolution resonate deeply.
* Evokes the feeling of classic Sci-Fi without any problematic elements often associated with it.
Bad: ∅
For a depiction of a similar theme check out John Kessel's [b:The Moon and the Other|30753686|The Moon and the Other|John Kessel|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1491126501l/30753686.SY75.jpg|51302140].
very deep personal relationship with this book
