Aunque ya supiera el final

This picked up on a couple of genres that have been fairly well-trod, but was so well written they seemed fresh and propulsive. Helen and Edith were likeable and relatable, and the prose was direct but enjoyable and descriptive. The use of magic was well thought out. I thought the short length benefited the book, it made its points and got in and out.

One nitpick is that a lot of the characters' ages seemed off. Chronologically they were mid-20s, but it feels like Helen was written as older.

The thing that stands out most to be is that it's written so well it leaves you wanting more, but also explains to you why the story's a closed loop, and shouldn't continue beyond what was written.

Even though Helen knew the end, it's not going to stop me from speculating that their story after the book plays out differently. Hey, it's happened before.

As far as books that I bought simply because I liked the cover/title/quick blurb when I saw it in the store, I've certainly done worse before. Maybe I should've spent a little longer researching it though because this book wasn't at all what I was expecting to be, and that's entirely on me.

I was very into the first third or so of the book: a woman detective in noir Chicago scopes out crime scenes and dips into secret lesbian speakeasies with some loose magical elements floating around the fringes. But then the magic started getting impossible to ignore and went full-blown Constantine with angels vs. demons and Deus ex Machina scenes. Kinda wished the supernatural elements stayed subtle, but that's a personal preference. I also got the sense that the protagonist was just kind of swept along by events happening around her and only made a significant decision at the climax. A little more agency on her end would've been appreciated.

Still, at 130-ish pages, this was the correct length for this kind of story. If Goodreads allowed half-star increments, I'd probably put it at 2.5, but I'll round up because lesbians.