Le thème traité dans le livre est un classique dans le genre SF. Il y a eu de nombreux traitements, s'alimentant de l'imagination ou de la science et éventuelles conjectures.
Ici, c'est avant tout un prétexte, je pense, un prétexte pour déployer différentes questions sur la société, mais des questions de vie et perceptions individuelles. Sans écrire un roman en 20 tomes, l'autrice nous offre un roman agréable à lire et qui donne à penser.
Parfois, certains développement me donnaient envie de critiquer. La musique du récit m'emmenait à nouveau. On pourrait qualifier certains sujets d'éculés. S'ils sont maniés avec finesse ou légèretés, ils peuvent non moins être agréables.
I'm OK with the time travel paradoxes -- those are inevitable. But to me it's a pretty bad plot weakness here that the Time Institute notices, and manages to find documentation of, a glitch in the matrix that just looks to three observers like a migraine symptom or a petit mal epileptic fit. People's brains and senses make up all sorts of weird shit all the time, and nobody takes it as evidence of anything particularly significant.
There's a passage in the book where one of the characters complain that another characters portrayal of growing up on the moon is exaggerated and not reflective of her own experience, this is how I feel of the author's take on the pandemic.
Content warning
Slight spoiler towards the end of the paragraph
… which is Goethe and translates as "one notices the intention and is disappointed". Which is the feeling I got from reading the book: While the sections set in the early 20th century work very well, the sci-fi settings have a forced and constructed feel; while the overall story arc makes sense, the details of the construction are visible too often (how everything is about what is real and what is virtual, about connection and loneliness, and in the end really only about the experience of Covid-19); and while the idea of using time travel as a plot device, not as the main topic, is great, there are just too many inconsistencies in how it is used (sometimes things happen the way they have always done because of some cross-time intervention, sometimes such an intervention causes things to change). Overall a nice read, but not much more.
I'll never get over Emily St. John Mandel's ability to weave many different simple narratives into a compelling braid of a story that still manages to have surprises, twists, and turns without being overly bulky or needing extensive exposition. She always holds you right on the cusp of confusion, making you think you lost the plot, but you didn't. She will reel you right back in. This was the case for Station Eleven, and The Glass Hotel, and Sea of Tranquility was no exception.
In this book we follow a few different narratives, and those who have read her previous other works will find some familiar. Edwin St. Andrew is the lesser son of some English nobles, sent to colonized Canada in 1912 as a punishment where he experiences something extraordinary, and almost alien in the Canadian Wilderness. A man watches. Vincent (a character readers of the author's works may …
I'll never get over Emily St. John Mandel's ability to weave many different simple narratives into a compelling braid of a story that still manages to have surprises, twists, and turns without being overly bulky or needing extensive exposition. She always holds you right on the cusp of confusion, making you think you lost the plot, but you didn't. She will reel you right back in. This was the case for Station Eleven, and The Glass Hotel, and Sea of Tranquility was no exception.
In this book we follow a few different narratives, and those who have read her previous other works will find some familiar. Edwin St. Andrew is the lesser son of some English nobles, sent to colonized Canada in 1912 as a punishment where he experiences something extraordinary, and almost alien in the Canadian Wilderness. A man watches. Vincent (a character readers of the author's works may be familiar with), has a same experience at the same place in the wilderness in 1994, filming with a personal camera. A man watches. In 2020, Mirella, a former friend of Vincent's, is looking for her, and comes to an experimental art show put on by Vincent's brother where he shows Vincent's recording of that event in 1994. A man watches. Olive is an author from the second colony of the moon in 2203. She's doing a book tour on Earth while the beginnings of a pandemic break out. A man watches. In 2401, Gaspery is a man living in the second colony in of the moon, aka Night City, who gets wrapped up in the business of his sister who works for an agency that governs time travel.
St. John Mandel's strength has always been structure and composition. She is truly an expert at revolutionizing how a story is told without burdening the reader with knots of stories. Her character work is also always something to look forward to as well. I love how she sometimes only allows us a surface level understanding of a character, like Edwin (even if maybe they're a protagonist) while others we get an in-depth, deep dive into their psyche, like Olive. It mirrors our own relationships with the people in our lives.
I continue to be impressed with everything I read from Emily St. John Mandel, and I will read everything she's written at this point. I should warn potential readers, while not necessary, it would be beneficial for you to read, at the very least, The Glass Hotel before you read this book. If you want some more small Easter eggs, you should also read Station Eleven before reading.
I liked the story of isolated humans trying to find meaning in their lives, all tangled together and touched by the miraculous. It left me feeling hopeful and reassured.
Enjoyable, even once you've guessed how it’ll all go down
4 stars
I liked it because it was well written and short. Longer would have been boring, shorter would have cut too much. I wonder how the author's experience during the pandemic influenced the Last Book Tour Before the End of the World chapter (at least one discussion in the book was real—but from 2015). I liked this book very much, but I liked Station Eleven better, hence the 4 stars.
This book washed over me. I loved the story and the way it made me feel about family, about time. The way the different stories knit together, the moments of realization that the author flawlessly sets up and executes... all of it. Lovely.
Fantastic to a point I did not expect. Very meta, and covers aspects that took me by surprise. I rarely read the descriptions of books written by authors that I have read before, and here it totally paid off. If you have read the previous two works by this author, you will like where this book takes you.
